This open-access book offers a comparative analysis of changes in employment structures on a global scale, focusing on employment trends during the first decades of the 21st century across 17 developed and developing economies, including countries from Europe, North America, Central and Latin America, and Asia.

In a world where global finance must align with the green transition, this Open Access book challenges established economic thinking. It argues for a shift from individualism to group-focused economic theory and policy, revealing that historical financial accumulation stemmed from collective rather than individual actions. To combat detrimental herd behavior, the book advocates for methodological groupism in economic policies. This shift promises more resilient financial flows, ensuring widespread societal benefits and mitigating harm to the global ecosystem.

Today, producing a book involves coordinating numerous resources and working within strict structural and economic constraints. This makes the publishing chain vulnerable, particularly for independent houses and local printworks. The task at hand is to preserve and strengthen Switzerland’s publishing ecosystem while supporting cooperation beyond its borders – a continuing dialogue with European countries, but also those further afield.

Este libro juega con estilos y géneros: Las litografías de A Is forAlphabet (A de Alfabeto) dedican una página a cada una de las letrasdel abecedario, con ilustraciones acompañadas de versos de tres líneas que hablan de extraños encuentros entre el hombre y los animales. Inthe Bottom of My Garden (Al fondo de mi jardín) es un cuento infantilwarholiano y al mismo tiempo un homenaje al amor homosexual. ildRaspberries (Frambuesas silvestres) es una parodia de un libro decocina con una serie de recetas atrevidas con instrucciones eilustraciones.

Este libro reúne más de 300 imágenes de cuarenta años de la carrera de Lindbergh. Traza los ecos cinematográficos y el enfoque humanista del fotógrafo alemán, que dieron como resultado imágenes tan seductoras como introspectivas. En 1980, Rei Kawakubo pidió a Lindbergh que hiciera las fotografías de una campaña de Comme des Garçons, una de sus primeras incursiones en la fotografía comercial. Kawakubo le dio carta blanca.

The earliest forms of human creativity – in carvings, markings, and cave paintings – bear witness to humanity’s engagement with color. Almost as old as these examples is the desire to assign structure, order, and meaning to this universal yet elusive concept, and it is this fascination that unites the works compiled in this expansive edition.